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November 2014
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Riccardo

Muti in Conversation with Andrew Patner

CSO Music Director Riccardo Muti, c. Todd Rosenberg

The Chicago Symphony Orchestra music director talks about the Verdi he has not conducted, Richard Strauss works he plans to add to his repertoire, and the role of principal players in an ensemble. Hear the conversation on Monday’s edition of Critical Thinking with Andrew Patner.

Riccardo Muti leads the final CSO

Muti Sculpts a Symphony

Riccardo Muti c.Todd Rosenberg

In some arenas, pulling back the proverbial curtain is about as magical as Dorothy’s Wizard of Oz. When it comes to rehearsals with the Chicago Symphony and music director Riccardo Muti, this is not the case. First of all, one has to marvel at the preparedness

Is it Scary to Sing for Muti?

Riccardo Muti rehearsing the Chicago Symphony Chorus, photo by Todd Rosenberg

For Giuseppe Verdi’s Macbeth, which opens this weekend at Symphony Center, nearly three hundred people will come together under his baton; a chorus, an orchestra, and soloists who’ve collectively logged lifetimes in the practice room. One chorister admits, “When Muti comes out for that first rehearsal, it’s terrifying—but it’s amazing. He’s incredible.”

Muti Takes Orchestra to Cicero High School

Maestro Riccardo Muti

If you believe what you read, the town of Cicero has a troubled history. Iniquitous associations linger for decades, while saying nothing of the men and women who live, work, and raise families here. On Wednesday, the people of Cicero had the opportunity to show something of their fiber: world-renowned conductor Riccardo Muti

Rudolf Buchbinder with the CSO

Pianist Rudolf Buchbinder

At the age of 5, Austrian pianist Rudolf Buchbinder set the record for being the youngest student ever admitted to the Vienna Musik Hochschule. Early in his career, he recorded all the Beethoven sonatas and piano concertos; recently he recorded them all again—the concertos with the Vienna Philharmonic

Attila the Hun

Samuel Ramey as Attila

If one discusses the topic of Attila the Hun with Riccardo Muti, it’s best to forget that deeply ingrained, American pronunciation of the barbarian’s name, in favor of the Italian one. Apart from the Maestro’s insistence on the matter