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February 2018
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Dame Myra Hess

Shostakovich as a “Calling Card”

Atrium

The pairing of performers and compatriot composers is such a satisfying notion (like having a French meal at l’Ecole Le Cordon Bleu Paris) that in a field crowded with artists carving out an identity, it happens a lot. It almost seems cliché for a Russian quartet to focus on Shostakovich – except so many reviewers