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October 2014
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Ana Maria Martinez

Chicago’s Incubator for Opera Singers

Ryan Opera Center bass-baritone Richard Ollarsaba as "Don Giovanni"

Richard Ollarsaba, who was the “cover” for Don Giovanni star Mariusz Kwiecien, got the call at 10:00 am: “Mr. Kwiecien will not be able to sing today. You’re on.” He had four hours until curtain.

“The instant I got the call, adrenaline shot through my system, but after the initial shock I immediately went into work mode and the only thing I could tell myself was ‘Just do your job’

Lyric Opera Opening Night

Mariusz Kwiecien as Don Giovanni, Metropolitan Opera

The 60th season at Lyric Opera of Chicago begins on Saturday with a bit of nostalgia: Mozart’s Don Giovanni, the same opera that launched the company 60 years ago.

Lyric Opera’s new production won’t look much like the original, however. It is directed by Goodman Theatre Artistic Director Robert Falls, who is putting a more modern spin on the classic tale.

Stars of Lyric Opera Shine Over Millennium Park

Millennium Park in downtown Chicago

On Saturday, Lyric Opera of Chicago gives its annual free concert beneath the lattice of the Pritzker Pavilion. Stars of Lyric Opera will showcase several of the season’s productions.

With the Don Giovanni principals already in rehearsal – opening night is September 27 – the stars will make the short commute to Millennium Park to perform the opera’s finale.

Opera Singers As Motivational Speakers?

Eric Owens and Ana Maria Martinez addressing high school students, c. Andrew Cioffi

Lyric Opera’s new ambassadors are delivering a message that goes deeper than listening to music: art can heal a community. On their first day, Lyric Opera’s newly named community ambassadors burned the script on typical in-school performances, and the kids are listening.

Sumptuous and Sexy: Lyric Opens with “Otello”

Ana Maria Martinez as Desdemona, photo by Dan Rest

Verdi’s 200th birthday is upon us; and Lyric Opera of Chicago pays homage with one of the reigning Verdi tenors, Johan Botha, singing the title role of Otello. Ana María MartÍnez is the unlucky Desdemona, whose demise is collateral damage to the machinations of Falk Struckmann’s Iago. This is a powerful trio; one that will no doubt sharpen the sting of Shakespeare’s tragedy.

Lyric’s Mimì Does Q & A with CPS Kids

Ana Maria Martinez as Mimi in La Boheme

Puerto Rican-American soprano Ana María Martínez is as natural on-stage at the Metropolitan Opera, as she is before a roomful of high school students.  Currently singing the lead in the Lyric Opera of Chicago production of La Bohème, Ms. Martinez uses her free time to rest and to catch up with old friends–in this case, more…