It’s Friday afternoon, the day before the opening of Puccini’s Madama Butterfly. Outside, 50 degree weather has liquified the canyons of snow, bathing Wacker Drive in a foot of water. Onstage, there’s a matinee of Die Fledermaus. Backstage, there’s a crew coping with a missed Butterfly rehearsal.
Earlier in the week, a polar vortex pummeled the windy city with heavy snows and record-low temperatures. In an almost unprecedented move, Lyric Opera of Chicago closed for a day, cancelling that critical rehearsal.
Lyric’s Madama Butterfly re-opens on Saturday with newly-arrived principals Patricia Racette and Stefano Secco. They are part of a split cast, which spreads the opera’s run over four months and gives the company an opportunity to highlight different singers (Butterfly first opened in October with Amanda Echalaz and James Valenti in the lead roles).
Though she’s lost the rehearsal, Patricia Racette seems undaunted. After changing out of her kimono – a final costume fitting – she bursts into the backstage area declaring, “I miss the cold!”
In an interview with WFMT’s Noel Morris, the star soprano admits that having sung Cio-Cio-San dozens of times makes it easier to roll with the punches onstage, even as her connection to the character grows deeper:
Madama Butterfly continues at Lyric Opera of Chicago through January.