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July 27, 2014 at 1:00 pm
The music written and performed in Latin America during the Colonial period (16th to early 19th centuries) has become more popular in recent years. However, even before those treasures were rediscovered, several composers from the region showed there interest in exploring the strong connections between Spanish (and European) music from the past and Latin American music, expressed also in the multiple similarities with early and baroque music one can find in Latin American folk music.
August 3, 2014 at 3:00 pm
Uruguayan guitarist Eduardo Fernandez introduces us to music of his country, and also plays works from Colombia and Paraguay, this varied program includes Tres Piezas Para Guitarra composed by Fiesta host, Elbio Barilari.
August 10, 2014 at 3:00 pm
A newly composed collective Brazilian opera based on the work of the artist Denise Milan and with the participation of composers/performers such as André Mehmari, Badi Assad, Carlinhos Antunes, Clarice Assad, Marco Antonio Guimarâes, Naná Vasconcelos, Tiago Pinheiro.
August 17, 2014 at 3:00 pm
Historically, México, the largest and most populated of the Spanish speaking countries, has been a powerhouse of Latin American music. This is also true for the Mexican living composers. This program presents works by Mario Lavista, Federico Ibarra and others.
August 24, 2014 at 3:00 pm
There are at least three composers we can relate as the Latin American (and Spanish) Mozart’s. Two of them were called “Mozarts” by his contemporaries: the 18th’s Chevalier de Saint Georges, born in the French-Caribbean island of Gaudaloupe, and the 19th century Spanish-Basque Juan Crisóstomo Arriaga. The third one is the 20th century Brazilian composer Camargo Guarnieri whose first name was Mozart, precisely.
August 31, 2014 at 3:00 pm
Framed by tangos, this program features Altar de Neon, a colorful orchestral work composed by Gabriela Ortiz about the Mexican holiday honoring the dead.
September 7, 2014 at 3:00 pm
Born in Havana in 1939, Leo Brouwer is one of the world’s more important living composers. At a time in which contemporary classical composers have had a hard time connecting with large audiences, Brouwer’s work, especially his prolific writing for the guitar, has become immensely popular. There is no major guitar player (Julian Bream, John Williams, Eduardo Fernández, Manuel Barrueco, Narciso Yepes, etc.) that does not or did not play some of his nine guitar concerti, or pieces such as his sonatas, the Decamerón Negro, Canticum, La Espiral Eterna or so many others. Himself, a formidable guitar virtuoso, Brouwer stopped performing after a car accident affected his left hand. After that, he dedicated more time to conducting, becoming the principal conductor for the Orquesta Sinfónica de Córdoba, Spain. And guest conducting with several first rate orchestras, including the Berlin Philharmonic and several other major European orchestras. Due to the longstanding political problems with the US and Cuba, Leo Brouwer is not as well known in the US as he is in the rest of the world.
Brouwer’s music shows a wide variety of techniques, influences and styles. Often he uses the rhythms and melodies of the Afro-Cuban musical traditions, but he also works with the most abstract procedures of modern music, writing variations on themes by The Beatles and Django Reinhardt or composing the music for a movies such as “Water for Chocolate”, or composes the most romantic passages of the 21st century.
September 14, 2014 at 3:00 pm
Manuel de Falla, the biggest name in Spanish music, had and still has a huge impact on Latin American music as well. As it is well known, he died in Argentina as an exile of Francisco Franco’s fascist dictatorship, which had make even more endearing for Latin Americans of all generations.